On Hollows is a series of comparisons on abstractions of the human body and landforms, mixed with photos of vacant rooms. Depicting bird carcasses, cut hair, taxidermy, and tides, the photos contain cycles of life and death, violence and regeneration. The vacant rooms and private spaces, reclaimed by light and traces of people, offer a similar reflection on a social landscape occupied, abandoned, and reshaped again. In these moments of stillness amid new cycles of rapid technological advancement and political instability, I think of the inevitable pockets of nostalgia I will experience even for times of volatility, what a part we are of what surrounds us, and the space between our lives and what we leave behind.
